Posted in Jokes

It’s how you tell ’em…

A chicken crosses a road in rural Douglas County near Oakland, Oregon, America - 16 Jan 2012Laughing Stock’s selection of some of the best standup jokes ever told.

“I’m on a whiskey diet. Ive lost three days already.”
– Tommy Cooper

“I bought a cross-trainer to keep fit. I suppose that it’s not enough to just buy it.”
– Sarah Millican

“Chopsticks are one of the reasons the Chinese never invented custard.” – Spike Milligan

“I like long walks, especially when they are taken by people who annoy me.” – Noel Coward

“Interesting fact: a shark will only attack you if you’re wet.” – Sean Lock

“I’m a post modern vegetarian. I eat meat ironically” – Bill Bailey

“Boxers don’t have sex before a fight. Do you know why that is? It’s because they don’t fancy each other.” – Jimmy Carr

“They laughed at me when I said I was going to be a comedian. Well, they’re not laughing now!” – Bob Monkhouse

“Standing in the park, I was wondering why a frisbee looks larger the closer it gets…then it hit me.” – Stewart Francis

“There is a line between fishing and just standing on the shore like an idiot.” – Stephen Wright

“I’m afraid that fulfilling my potential would really cut into my sitting around time.” – Maria Bramdford

“Cigarettes are very like weasels. Perfectly harmless unless you put one in your mouth and try to set fire to it.”
 – Boothby Graffoe

“So I phoned up the spiritual leader of Tibet, he sent me a large goat with a long neck. Turns out I phoned dial a lama.”
– Milton Jones

 

Posted in Seeing Comedy on the Cheap

Having a laugh without breaking the bank

Want to be laughing this summer, but no spare money to see some local talent? No worries,
Laughing Stock have got you covered.

comedy happyThe recession has hit us all hard. The little bit of money you have leftover for fun is becoming less and less with each passing month. But our desire to have fun, to go out there and experience culture does not thin like our wallets. Not to worry – there’s a way you can see hot new comedy without breaking the bank.

It comes in the form of comedians wishing to try out new stuff. Big name comedians don’t simply walk on the stage at the Apollo with a bunch of material no-one has ever heard before, because if the material crashes and burns, then it does so in front of several thousand people and a professional film crew who catch every second.

You might say ‘but comedians write new material and take that on tour, so it is new!’. We’ll you’d be right, in a sense. It may be new to you, but I guarantee someone, somewhere will have heard it. You see, comedians need to try out new material to gauge the audience reaction to it. Consider it like a big interactive focus group; the comedian tries out material and logs the reaction he or she gets from it.

And that’s where the genius of it all comes in. The comedians don’t register for willing participants to be part of their comedy focus groups; they simply play smaller clubs, and do it for next to nothing. So very often, you can see a big name comedian for ridiculously cheap, or a fairly unknown comedian for free. And the best thing about it all, is you can pretty much guarantee you won’t have heard any of the stuff they perform before. Win – win right?

tragedy comedySo how do you find these mysterious cheap performances? Well it depends what kind of comedy you are after. If you’re happy with any local comedian trying to make you laugh, then just look up your local comedy club and ask if there’s any new material being performed soon. It will almost certainly be at a discounted price compared to regular shows. If you have a slightly more discerning taste, then be sure to check out your favourite comedians website or PR representatives for tour dates. Every comedian needs to try out new stuff, and while it’s unlikely to be free, it’s also unlikely to cost you more than a tenner either. So, what’s the catch?

‘But won’t it be rubbish?’ I hear you cry. Well, maybe. All new material is untested and therefore there’s no guarantee it’ll leave you in stitches. But it’s very unlikely to be too painful, and if anything, it’ll give you a chance to give the comedian a good heckling, right?

Posted in Foreign Comedians in Britain

Those bloody foreigners coming over here, making us laugh?

Comedy has always been an innate part of British culture. Our sense of humour is internationally renowned for being self-deprecating, sarcastic, subtle and laden with innuendo. Yet, increasingly we are seeing foreign comedians finding success within our shores. So why is international comedy becoming so popular?

Foreign ComediansGiacinto Palmieri is one such comedian who has found success within the UK.  Born in Italy, he’s never actually performed in his home country. “Actually I’m having the opposite problem now because I’ve started to do comedy for an Italian audience; Italians living in London.” says Palmieri.  “British comedy is my native comedy approach, not my native language. Actually, now I’m wondering; if I go to Italy and do something for an Italian audience, should I do anything different, because whatever I learn, I learnt it here, and I did it in front of a British audience.”

“What I really find interesting is when foreigners talk about their host country because it is where they can really bring their perspective into things, particularly foreigners who are not native English speakers.  They can also look at the English language itself and try to express why they find it fun, surprising, charming and so on.” says Palmieri.

“Sometimes when I go outside London, I struggle a bit more I think because people relate a bit less to the experience of living in multicultural London” Palmieri told Laughing Stock.  “Maybe they are also less exposed to foreign accents – I find myself struggling a bit more to be understood when I go outside London or festivals.”

Another comedian performing in a second language is German comedian Christian Schulte-Loh, who claims he had to leave Germany because he was ‘too funny’. He has similar views of being able to bring a fresh perspective to the country.
“I kind of have the feeling I’m still visiting this place, and that makes you see things differently, things that other people don’t see.” he says.

“In Britain there’s no boundaries really – you can go really far – and in Germany I think people are a bit more squeamish – definitely about historic things. For example I would be able to do some edgy Hitler stuff in Britain which in Germany is a bit harder to get away with, you know for obvious reasons. But then again, for example football is still a thing that the English are a bit sensitive about – I would tell them for example during the gig that ‘English people can relax, there will be no penalty shoot out after this gig’ – they would sometimes freak out a little, which is fun.”

“I love both markets a lot, but I love the British because the Brits are lots of fun” he continued.

“If you travel, you see different cultures, you see the different ways people live, it does open up your comedic mind more.”

But why are the British getting a taste for foreign stand-up? Nigel Williams is a British born comedian, who honed his craft in Belgium. He has subsequently come back to England to perform.

“A good trick with international comedy is that if you have just one local reference, they will take you to heart. If they know you’re not from there, one local reference and it’s like ‘Ah, he’s looked this up, that’s good’ and people like that. That gives you a window of opportunity to start doing your thing, because they give you a little bit of credit then. It’s only ever that two minute credit gap you get, but at least it gives you that little bit of an edge.” says Williams.

“You get all these people enlisting in workshops and stuff to try and learn standup comedy, but the money they spend on that would be better off taking a city trip to Bratislava, and just sitting in a bar and writing stuff. If you travel, you see different cultures, you see the different ways people live, it does open up your comedic mind more.” he said.
So is there a joke that works across all cultures? German comedian Christian thinks being able to perform in a variety of countries is a sign of a good comedian.

“There’s a lot of jokes that work in every country.” says Schulte-Loh. “I would say, a really good joke has to work everywhere; it’s so good that people will laugh about it almost anywhere. The thing is, with controversial jokes,  you cannot open with them anywhere.

“You have to put them in the middle of your set because people have to first trust you and get to know you and they have to know that this guy is actually a nice guy, he’s not dangerous for us. So then later on when you do something really intense they would laugh with you and they wouldn’t be afraid. Generally I think a really good joke would work everywhere.” 

So with this year’s Edinburgh fringe packed with international talent, it seems like fresh foreign perspectives are here to stay on the British comedy circuit.

Posted in State of the Industry

Is there even room for any more funny?

The comedy industry is changing. In its current flux, comedians across the UK and US are seeing dramatic differences in how they can find their place in the world of funny.

Steve RoeWhilst a heap of promising new opportunities are rising, professionals in the comedy industry across the world are encouraging individuals to come forward and find their place now; whilst the time is right. Steve Roe, a teacher at UK comedy school Hoopla, said: “The comedy industry is changing; it used to be all about getting spotted at Edinburgh and then hopefully getting a TV deal or agent.

“Now loads of people are totally bypassing that; sticking their finger up to Edinburgh and TV, and just doing it themselves by making stuff for YouTube instead.

“The power is back with the performers, so they can focus on their audience and their act.”

It seems that comedians are getting more and more determined to break into the industry as they find their own creative way of getting heard. This is hardly surprising; after all, they’re creative people, right?

For those looking to break into the industry, one website that may be able to help you is The Comedy Business Digest. It describes itself as a ‘10-minute newsletter for a really tiny fee and can be so helpful’ and ‘a weekly email that delivers vital comedy industry information and new opportunities to your inbox.’ Keeping track of insider knowledge can really give you an edge in the industry.

Comedy DVD sales have been extraordinarily high in recent years- with standup comedians reaching the top ten in the charts at Christmas time. In 2011, Sarah Millican’s DVD ‘Chatterbox Live’ became the highest selling British DVD from a female comedian of all time.

Newspapers and magazines have even started publishing a list of the ‘top DVD’s as presents in the months leading up to the big C. Comedy finds its way into the lists, of course.

However, when the festivities are over, the comedians see in the New Year knowing that their time to shine is over for another year. Most comedy DVDs are released in November, as earlier in the year they will rarely reach the top 40 in the charts. However, the same cannot be said for comedy programmes and films; which remain largely popular 365 days a year, year in, year out.

‘Now loads of people are totally bypassing that, sticking their finger up to Edinburgh and TV’

Funny books have also started flying off the shelves in high numbers in the last few years. Bookseller websites offer a ‘best-selling in humour’ list for shoppers and comedian biographies are often found in the top 20 best sellers. Does it also seem that more and more comedians are sharing their life stories lately? If they are, we can hardly complain can we?

Comedy in music has still not seen the success that DVDs and books currently enjoy… and will it ever? The future looks tough for funny singers as even Chris Moyles, who is adored by millions, couldn’t find much success. December 2012 saw the release of his ‘Difficult Second Album’ and all Mr Moyles received for his hard work was a big fat pile of criticisms and complaints. One critic wrote that the album was ‘the musical equivalent of a rotting fish left behind a radiator by a twisted departing tenant’. Maybe it will just take the right kind of funny to wise crack the music industry.

 

So, despite its growing popularity and huge success since 2010, the comedy industry still has some room left for you bright talented stars that fancy yourself a bit of the stagelight. The future is bright. The future is funny.

Posted in Upcoming Comedians

Mae Martin

“I’m doing a lot of writing, I’m pitching a lot of stuff, just trucking along, just trying not to get a day job. I’m trying so hard not to get a day job.”

Introducing Mae Martin, a Canadian born, Britain based standup comedian who’s been working the UK standup circuit for several years. Nominated for two Canadian comedy awards, winner of ‘Best International Performer’ at Brighton Fringe festival, and a recent appearance on Russell Howard’s Good News, Mae is looking forward to a bright future in British comedy. Laughing Stock caught up with her.

Mae Martin“I dropped out of school when I was about 15, and started doing comedy professionally. I’m not really qualified to do anything else so it’d better work out” says Martin. “It was kind of like a liberal utopia that I grew up in. I didn’t realise at the time but looking back, I was just so lucky, my parents were so liberal and cool.”

Martin moved over to England because of family and a surprising appreciation for English weather. “My dad’s English, so I had a passport, which helped. And a lot of people in Toronto were moving to New York and then a couple of them were moving here.” says Martin.  “I love it here, I love the food, I love the pie, I love the lack of sunlight; I thought, get me some of that.”

Martin performs traditional standup, interspersed with comedic musical songs she plays accompanied by her guitar. “I do a mix of songs and standup. Recently I’ve been really enjoying doing just standup. My new shows are a lot about being a teenager and the drama of being a teenage girl and how much I miss that intensity” says Martin. When asked about her guitar playing, she admits it’s not something she pursues. “I sort of plateaued skillswise when I was about 14, and I haven’t learned any new chords in a long time. I love doing music, I get pretty emotional and play pretty deep songs in my room sometimes”she said.

Martin has performed all over the UK, from Brighton to Liverpool to Edinburgh. “Anytime you go to a small town or something, I get a bit nervous to do gay stuff or political stuff but I find more and more if you give people the benefit of the doubt I’m always pleasantly surprised. I think I’ve been really lucky, I don’t think I’ve ever been heckled.”

Martin spent a large part of her life honing her comedic talent in her home country of Canada. “In Canada people never heckle, they just are so silent and polite and they just clap politely. And in England people are way more vocal, they might say something and contribute, but I’ve never had anyone shout anything mean at me.”

So what is the future for Mae Martin? “My dream is that I could write for television and write for radio, and then have the luxury of taking my time to- every year or 2 years- craft a new hour of standup, tour it and do a DVD of it and stuff. I don’t think I ever want to give up doing live stuff, that feedback is really addictive and it’s amazing.”

Check out Martin’s live schedule at ‘maemartin.ca’